This week at Yukon Writers' Society, I'm teaching about typical grammatical and formatting errors I see in manuscripts—all the time. No, I don't cover every single error in this blog post; but I try to cover the ones I see most frequently.
Use this as a checklist to ensure you're properly preparing your manuscript for an agent or your editor.
Either an author sends a manuscript that has so much special formatting that I have to send it back, or an author sends a manuscript with absolutely no formatting. No matter the author, I usually send it back and ask for him or her to make adjustments before I begin editing. To learn more about formatting a manuscript before the editing or pitching stage, please read this article by my friend Blake Atwood.
- Ensure your book is in Times New Roman, 12-point font. Your formatter can give you a beautiful font later in the interior formatting stage, but when pitching or sending to an editor, you’ll want to keep it simple.
- Ensure all paragraphs have a first line indent of 0.5.
- Do not hit tab. If you indented your paragraphs properly, there is no need to hit tab. Only hit enter. If you do, your editor or formatter will have to get rid of them all.
- Do not ever use soft returns (shift + enter) in your manuscript. You can do a find/replace to get rid of them when preparing your manuscript for pitching or formatting.
- Use page breaks at the end of each chapter. (Insert>Insert Break>Page Break.)
- Only one space after periods. In find/replace, you can eliminate all of them immediately. It will save you money, believe it or not.
- Send your manuscript as one Word document. Do not send a Word document for each chapter.
- Do not use straight quotation marks and/or straight apostrophes. They must be changed to curly quotation marks and apostrophes. You can correct these using find/replace.
- Break up large blocks of text. People (now) prefer shorter blocks of text for easier readability.
- Punctuation — Dialogue
- Incorrect: “You never loved me.” Ali said.
- Correct: “You never loved me,” Ali said.
- Incorrect: “When will you ever love me?”, she asked.
- Correct: “When will you ever love me?” she asked.
- Incorrect: She asked “Do you love me?”
- Correct: She asked, “Do you love me?”
- When one character is speaking, he has his own paragraph. Then when a new character begins to speak, she has her own paragraph and so on. In other words, when dialogue is happening, ensure each speaking character has his or her own paragraph, rather than putting them all together in the same paragraph.
I know, I know. You hated English class, and your teacher was brutal. But as an author, you must learn some of the basics. I'm not saying you have to memorize CMOS, but your writing will shine brighter if you convey your meaning properly.
Apostrophes do not make nouns plural. One more time: Apostrophes do not make nouns plural. Apostrophes are used to show possession or to omit letters or numbers.
Incorrect: banana’s, chair’s, monument’s, squirrel’s, bill’s, curtain’s
Correct: bananas, chairs, monuments, squirrels, bills, curtains
Incorrect: Puppies paws; James’ hands; the Anderson’s (the Anderson family); the William’s family; the William’s van is in the driveway; Kansas’ roads; Dickens’ novels.
Correct: Puppies’ paws; James’s hands; the Andersons (the Anderson family); the Williams family; the Williamses’ van is in the driveway (Williams = last name + plural es + possessive apostrophe); Kansas’s roads; Dickens’s novels. (See CMOS 7.17.)
Incorrect: Hes going inside. Toms shoes are gone. The White Houses windows are dirty. I have right’s.
Correct: He’s going inside. Tom’s shoes are gone. The White House’s windows are dirty. I have rights.
Do not capitalize important words. To show emphasis, use italics. Also, use https://www.merriam-webster.com/ to find which words are lowercased and which words are capitalized. Here are some quick examples:
President Bush, but the president
the US Army, but the army
Froot Loops (trademark)
Stick to the same tense: either present or past. Yes, some advanced authors can play around with this in different chapters; but usually, I see authors do this unknowingly.
How many times do you exclamation points? Use the find feature for your entire manuscript to determine how many times they're used. It’ll surprise you. You’ll want to use a small handful for the entire manuscript. If you overuse exclamation points, they lose their meaning and become monotonous.
Find overused words, such as was and very and really and were and that. Try the Word Counter to help you: http://www.wordcounter.net/.
Its vs. it’s
Its = possessive — The chapter closes with the declaration that Samson led Israel as its judge for twenty years.
It’s = contractions for it is — I’m not saying it’s easy.
Toward vs. towards
Toward = US spelling
Towards = UK spelling
Gray vs. grey
Gray = US spelling
Grey = UK spelling
All right vs. alright
All right = correct usage
Alright = variant spelling
Led = past tense of lead
Height, not heighth
Sneak peek, not sneak peak
Lightning strike, not lightening strike
Accidentally, not accidently
Foreword = short introduction to a book
Acknowledgments = no third E (unless UK spelling)
It separates parts that need a more distinct break than a comma can signal, but that are too closely connected to be made into separate sentences.
The semicolon unites closely connected sentences; typically, as in this very sentence, there is no conjunction between clauses.
It separates items in a series when any element in the series contains an internal comma. “These recipes will need to be made immediately: chicken and rice with potatoes; roast with carrots and onions; pasta with garlic bread; and chocolate cake.”
It can be used to give a weightier pause than a comma would. This is usually up to the editor. “There is nothing I wouldn’t do with him; but there are some things he would do without me.”
It links two separate clauses or phrases by indicating a step forward from the first to the second: the step may be from an introduction to a main theme, from a cause to an effect, or from a premise to a conclusion.
It can introduce a list of items. “The celebrating towns are as follows: Dallas, Texas; Oklahoma City, Oklahoma; and Liberal, Kansas.”
It can introduce a quote: “Here is a lovely quote just for you.”
It appears after salutations. “Dear Mary:”
It separates titles, hours and minutes, and Bible verses. Edgar Allan Poe: A Critical Biography; 12:15 p.m.; and John 11:35.
Use a comma for direct address:
What are you holding, Kate?
Watch out for him, Josh.
Jon, put that away.
Ellipsis should have spaces between them: . . .
Internal thought is italicized (no quotation marks): What on earth is that idiot doing here?
Book titles are in italics, not quotation marks: Romeo and Juliet, The Fault in Our Stars, and The Lord of the Rings.
Do not use all caps. THERE IS NO NEED TO YELL.
Spell out numbers. There are exceptions to this CMOS rule, but for the most part, get comfortable spelling out numbers zero through one hundred.
Ah, the world of hyphenation. Basically, you'll be looking up a lot of words in the dictionary and CMOS to double-check. Without a hyphen, a white-collar case would take on a different meaning: a white collar case.
Examples of hyphenated words:
dressed-up children, but the children were dressed up
five-year-old child and also a five-year-old, but he’s five years old
a 300-page book
high-quality design, but the design is high quality
Examples of non-hyphenated words:
email, but e-book
Hyphens vs. Dashes
hyphen - (join words)
en dash – (span or differentiation)
post–World War II years
em dash — (a break or to set off parenthetical statements)
Glitter, felt, yarn, and buttons—his kitchen looked as if a clown had exploded.
As long as Samson didn’t cut his hair—the one piece of the Nazarite vow he’d somehow managed not to break—he would maintain his superhuman strength.
Samson’s mom made mistakes—we all do as parents.
“Father, who is—” “Quiet, son!”
But there’s no need to panic—these rumors can quickly come and go.
2-em dash —— (missing information)
The region gives its —— to the language spoken there.
Admiral N—— and Lady R—— were among the guests.
David H——h [Hirsch?] voted aye.
When in doubt, check it out!
An expert editor, seasoned writer, and author-centric marketer, Shayla Raquel works one-on-one with authors and business owners every day. A lifelong lover of books, she has edited over 300 books and has launched several Amazon bestsellers for her clients. Her award-winning blog teaches new and established authors how to write, publish, and market their books. She is the author of the Pre-Publishing Checklist, The Rotting (in Shivers in the Night), and her novel-in-progress, The Suicide Tree. She lives in Oklahoma with her two dogs, Chanel and Wednesday.